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Blacks in motion pictures. --- Sex in motion pictures. --- Women in motion pictures.
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Blacks in motion pictures. --- Animated films --- Negroes in moving-pictures --- Motion pictures --- History and criticism. --- United States --- History and criticism --- Blacks in motion pictures --- Black people in motion pictures.
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Film --- Blacks in motion pictures --- Noirs au cinéma --- Study and teaching --- Etude et enseignement --- Noirs au cinéma --- Study and teaching. --- Black people in motion pictures
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"In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791-1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known-and appears less often on screen-than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood's near-silence on this event, some films on the Revolution do exist-from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin's Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings"--
Revolutions in motion pictures --- Blacks in motion pictures --- Video games --- Motion pictures --- Slavery in motion pictures --- History --- Haiti --- Haiti --- History --- History.
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Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race.
Blacks in the motion picture industry --- Motion pictures, British. --- Blacks in motion pictures. --- Motion pictures --- Race in motion pictures. --- Social aspects --- Blacks in motion pictures --- Race in motion pictures --- film --- filmgeschiedenis --- film en politiek --- Groot-Brittannië --- racisme --- postkolonialisme --- twintigste eeuw --- eenentwintigste eeuw --- 791.43 --- Negroes in moving-pictures --- Social aspects. --- Great Britain. --- Black people in the motion picture industry --- Black people in motion pictures.
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Blacks in motion pictures. --- Blacks in the motion picture industry. --- Independent filmmakers. --- Editors : Mbye B. Cham, Claire Andrade-Watkins --- film --- filmgeschiedenis --- afro-amerikaanse film --- Verenigde Staten --- Groot-Brittannië --- Afrika --- diaspora --- nomadisme --- nomaden --- 791.43 --- Blacks in motion pictures --- Blacks in the motion picture industry --- Independent filmmakers --- Independent moviemakers --- Motion picture producers and directors --- Negroes in the moving-picture industry --- Motion picture industry --- Negroes in moving-pictures --- Motion pictures
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"Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.
Blacks in literature. --- Blacks in literature. --- Blacks in motion pictures. --- Blacks in motion pictures. --- Blacks in popular culture --- Blacks in popular culture. --- Blacks --- Blacks --- German literature --- German literature --- German literature. --- Masculinity in literature. --- Masculinity in literature. --- Masculinity in motion pictures. --- Masculinity in motion pictures. --- Motion pictures --- Motion pictures. --- Whites --- Whites --- History --- Race identity --- Race identity. --- Black authors --- History and criticism. --- History and criticism --- History --- Race identity --- Race identity. --- 1900-1999. --- Germany.
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Blacks in motion pictures --- Blacks in the motion picture industry --- African Americans in motion pictures --- African Americans in the motion picture industry --- Negers. --- African Americans in motion pictures. --- African Americans in the motion picture industry. --- Blacks in motion pictures. --- Blacks in the motion picture industry. --- Afro-Americans in the motion picture industry --- Negroes in the moving-picture industry --- Motion picture industry --- Race films --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Sociology of minorities --- Film --- United States --- Arts and Humanities --- General and Others --- Literature --- Performing Arts, Travel and Leisure --- minderheden --- United States of America
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